07.29.08 | by Tim Mitchell
The 1998 film “Dark City” will be re-released on DVD this week in a new director’s cut that features additional footage. I’ve always felt that “Dark City” never received the recognition it deserved — due in no small part to being overshadowed later by a very similar film, “The Matrix,” in 1999.
What is particularly [...]
06.29.08 | by David Masciotra
How does one make a 14-year-old who hates high school excited about language, learning and politics? One way guaranteed to be effective is to make the entire process painfully funny.
At one point I was that kid, awkwardly stumbling through adolescence, bored by conventional classroom tactics, attempting to determine what interested me as a student and [...]
06.19.08 | by Steve Schwartz
History presented on television does not have to rely on the documentary format -- third person narration, supplemented with interviews with historians, actors reading contemporary letters and journals, and half-hearted re-enactments -- to maintain an aura of historical accuracy or legitimacy. The "John Adams" miniseries augments David McCullough's ability to bring his characters to life by bringing their world to life through a fantastic screenplay, acting, and cinematography.
06.09.08 | by Tim Mitchell
This article examines the "Mimic" films, particularly how the plot device of the "Big Bug" monster is still relevant to public discourse on scientific issues. In particular, concepts and issues that are specific to genetic research and their related environmental and political impacts permeate the "Mimic" films, thus making them different from their irradiated Atomic Age predecessors and worthy of unique consideration.
05.11.08 | by Richard C. Crepeau
The Heroes Have Gone: Personal Essays on Sport, Popular Culture and the American West
by Jim W. Corder
Edited and with an afterword by James S. Baumlin and Keith D. Miller
Moon City Press (February, 2008)
185 pp. $15
Those who heard the voice of the late Jim Corder, professor of English at Texas Christian University, will hear it [...]
05.11.08 | by Tim Mitchell
Fears of vicious attacks and random massacres are not the product of some aberration of the natural order but an honest reflection of how the universe actually works. Thus, fears of this type of world do not center on vanquishing monsters to save others so much as on just surviving in a pre-determined situation. What kind of horror film is this? The crossover film that has the word "versus" in the title -- namely, "Freddy vs. Jason" (2003), "Alien vs. Predator" (2004) and the recent "Aliens vs. Predator: Requiem" (2007).
03.18.08 | by Laura Fokkena
In January of 2004, just as dawn was breaking, Chicago-based filmmaker Usama Alshaibi bribed the guards on Iraq's Jordanian border and drove back into the country he hadn't seen in 24 years. He brought along his American-born wife, Kristie, and a video camera. "Nice Bombs: My Journey Back to Iraq," an award-winning documentary, is the result of his journey.
10.18.07 | by Sam J. Miller
While I want to welcome Fall Out Boy with open arms, something about FOB Culture feels too calculated and commercial. Who are these boys, and what do they want from us?
10.18.07 | by Richard C. Crepeau
Poetry is not generally thought of as a vehicle for posing the eternal question, "Ginger or Maryann?" or to contemplate the centrality of "Hawaii Five-O" within the cultural milieu of our postmodern existence. For David McGimpsey, however, these are just the sort of subjects that are most suitable.
10.08.07 | by Allen McDuffee
It would seem like a real blunder, maybe even cultural insensitivity, for Starbucks to market a new food product just for the month Ramadan -- the month Muslims fast from sunrise to sunset. But Starbucks executives seem to think this caffeinated version of "think globally, act locally" strikes the right marketing balance.
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